With the upcoming election stirring up a lot of political debate, most people seem glued to supporting their man – as they should. That’s politics, right? However, it seems that there is an overwhelming amount of support for one side over the other. Barak Obama is being praised as a visionary voice for America’s youth and has support from all walks of life. Nevertheless, the more popular he becomes the more controversy there is that surrounds him, but Obama certainly can rely on his core group of hardcore fans and supporters.
Two Obama-supportive songs have just hit radios: Popular rapper Ludacris’s “Obama is Here,” and Black Eyed Peas leader Will. I. Am’s “Yes We Can.” While both of these songs support Barak Obama, they could not be more different. Will. I. Am’s song is done in his signature laid-back style and is named after Obama’s motto, “yes we can.” It takes a strong, confident speech of Barak Obama’s and puts a musical spin on it. While the idea behind it is simple, it has a strong message and effectively shows support for Obama and his ideas (of course, because the words are Obama’s own). It is a soft but powerful song that has a theme of unity about it; Will used various voices in order to provoke the feeling of a group.
Sounds nice, right?
What, you haven’t heard of it?
This might be why.
Ludacris’s rap, “Obama is Here” may have good intentions, but it is getting an incredibly bad “rap,” so to speak and is certainly getting a lot more attention than “Yes We Can” because of it. When composing a song that is supposed to make someone look good, there are a lot of things that need to be considered: the choice of words, the melody, what kind of tone you’ll be using voice-wise, and the beat. If the answer to all of those things is “loud and angry,” it may not be the makings for the most helpful pro-Obama song.
Ludacris refers to Hilary Clinton as “an irrelevant bitch” when mentioning the possibility of her being Obama’s potential running mate, and throughout most of the song, sounds like he’s yelling at the listener. While this is his typical style, it does not work well in a song that is supposed to have supportive undertones. I am no one to say whether it is a bad or good song, quality-wise. However, what I can say for myself is that Ludacris had good intentions, and the song, albeit a bit intimidating-sounding, is a passionate three minutes of music. Nevertheless, it does tend to add one more scrap of controversy to the already controversial Mr. Barak Obama.